Designing a school play /
Chilver, Peter
Designing a school play / Peter Chiver y Eric Jones - New York : Taplinger Publishing Company, 1968 - 96 páginas : ilustraciones
Foreword, 9.-- Introductory points, 11.-- Seeing it in perspective: the need to experiment, 11.-- There is no one way: the theatre is constantly in a state of transition, 12.-- The school itself, 12.-- The stage and the hall, 13.-- Flexible staging, 13.-- Some practical points in flexible staging, 15.-- Using the apron and main stage, 15.-- Furniture on apron or open stages, 15.-- Exits and entrances, 16.-- Lighting, 16.-- Seating, 16.-- Theatre in the round, 16.-- The open stage, 18.-- Planning, 20.-- Personnel, 20.-- The first production conference, 21.-- Drawing up the production schedule, 22.-- Schedule for the final rehearsals, 22.-- Plan into action, 24.-- The Director: his overall conception of the production, 24.-- The director and designer: initial conference, 24.-- The designer: getting ideas on to paper, 25.-- The designer detailed plans, 25.-- Sight lines, 29.-- Presenting the model, 30.-- Wardrobe, 30.-- Programs, handbills, tickets, publicity, 31.-- A basic approach to stage design, 33.--Basic types of design, 33.-- Stage lighting, 42.-- General principles, 42.-- The different kind of stage lighting, 44.-- A basic approach to stage lighting, 46.-- Working to stage lighting, 51.-- Setting up the lights, 54.-- Operating the lights, 55.-- Lighting the sections of the acting area, 54.-- Front-of-house lights, 55.-- Building, 56.-- Flats, 56.-- Stairs, 62.-- Rostra, 63.-- Trucks, 65.-- Profile scenery, 65.-- VII. Painting, 67.-- Basic points, 67.-- General points, 71.-- Specific designs, 72.-- Epic Drama, 72.-- Restoration Comedy, 75.-- Victorian Music Hall, 77.-- Macbeth, 78.-- Pride and Prejudice, 81.-- Gaslight, 84.-- Postscript, 86.-- Terms used in staging and scenic design, 87.-- Index, 93.
Texto en inglés
0-8008-2171-8
1969
Obra de teatro9
792 C538d 1969
Designing a school play / Peter Chiver y Eric Jones - New York : Taplinger Publishing Company, 1968 - 96 páginas : ilustraciones
Foreword, 9.-- Introductory points, 11.-- Seeing it in perspective: the need to experiment, 11.-- There is no one way: the theatre is constantly in a state of transition, 12.-- The school itself, 12.-- The stage and the hall, 13.-- Flexible staging, 13.-- Some practical points in flexible staging, 15.-- Using the apron and main stage, 15.-- Furniture on apron or open stages, 15.-- Exits and entrances, 16.-- Lighting, 16.-- Seating, 16.-- Theatre in the round, 16.-- The open stage, 18.-- Planning, 20.-- Personnel, 20.-- The first production conference, 21.-- Drawing up the production schedule, 22.-- Schedule for the final rehearsals, 22.-- Plan into action, 24.-- The Director: his overall conception of the production, 24.-- The director and designer: initial conference, 24.-- The designer: getting ideas on to paper, 25.-- The designer detailed plans, 25.-- Sight lines, 29.-- Presenting the model, 30.-- Wardrobe, 30.-- Programs, handbills, tickets, publicity, 31.-- A basic approach to stage design, 33.--Basic types of design, 33.-- Stage lighting, 42.-- General principles, 42.-- The different kind of stage lighting, 44.-- A basic approach to stage lighting, 46.-- Working to stage lighting, 51.-- Setting up the lights, 54.-- Operating the lights, 55.-- Lighting the sections of the acting area, 54.-- Front-of-house lights, 55.-- Building, 56.-- Flats, 56.-- Stairs, 62.-- Rostra, 63.-- Trucks, 65.-- Profile scenery, 65.-- VII. Painting, 67.-- Basic points, 67.-- General points, 71.-- Specific designs, 72.-- Epic Drama, 72.-- Restoration Comedy, 75.-- Victorian Music Hall, 77.-- Macbeth, 78.-- Pride and Prejudice, 81.-- Gaslight, 84.-- Postscript, 86.-- Terms used in staging and scenic design, 87.-- Index, 93.
Texto en inglés
0-8008-2171-8
1969
Obra de teatro9
792 C538d 1969